Republican details why 'arsonist' Trump revels in his DC destruction

In recent weeks, photos of the White House marred by construction have sparked widespread debate over President Donald Trump’s expansive efforts to reshape its appearance and use. According to lifetime Republican and co-founder of the Lincoln Project Steve Schmidt, “A healthy nation would recoil in disgust.”

“The White House isn’t Donald Trump’s house,” Schmidt reminds. “It doesn’t belong to him. It never did. It’s the People’s House. It’s the symbolic center of the American Republic… where presidents have stood in moments of triumph and agony to speak to the conscience of a nation. It’s where Abraham Lincoln walked the halls while the Republic bled. It’s where Franklin Roosevelt steadied a frightened people during depression and war. It’s where John F. Kennedy summoned Americans to service, where Ronald Reagan spoke of freedom, where Barack Obama represented the long arc of American history bending, painfully and imperfectly, toward justice.”

Now, it’s the site of Trump’s vanity projects and effort to construct a ballroom bunker, and, as before-and-after photos shared by Schmidt show, what was once a lushly manicured grounds is now a gaping eyesore.

“The desecration of the White House grounds isn’t cosmetic,” asserts Schmidt. “It isn’t harmless. It isn’t some eccentric decorating choice by a vulgar and tasteless man. It’s an act of contempt. It’s an act of arrogance. It’s an act of historical vandalism committed by a man who believes himself greater than the nation he was temporarily entrusted to lead. Trump has substantially wrecked the White House because destruction excites him. He’s an arsonist at heart.”

While Trump has referred to himself as a “builder president,” Schmidt argues that this is not the case. Instead, Trump is a “taker” and a “destroyer” — the type of man who looks at beauty and feels “resentment.”

“They look at history and feel excluded by it,” says Schmidt. “Their instinct isn’t stewardship. It’s domination. Their impulse isn’t reverence. It’s desecration. The arsonist isn’t satisfied until everyone else smells the smoke. That’s Trump. He’s America’s Nero.”

As Schmidt notes, “Nero didn’t merely govern badly. He degraded Rome itself. He transformed power into spectacle. Vanity into governance. Cruelty into entertainment. He reduced public life into an endless pageant celebrating his appetites, his grievances and his compulsions.”

“Trump has done the same,” Schmidt argues. “The White House now bears the fingerprints of a man incapable of understanding restraint, dignity or civic reverence. Every grotesque alteration is an expression of his diseased ego. Every debased image is another reminder that the American presidency has been occupied by a man who confuses ownership with stewardship.”

Polling suggests that Americans overwhelmingly agree with Schmidt’s assessment, with voters who oppose Trump’s ballroom project outnumbering those who support it by a ratio of 2-to-1. Even so, as Schmidt notes, there has been a lack of public outcry over the president’s efforts.

“A healthy nation would recoil in disgust,” says Schmidt. “Instead, there is indifference. Shrugs. Exhaustion. The normalization of desecration. That indifference is dangerous. It’s a signal fire to Trump. It tells him there are no limits. It encourages the next outrage. The next assault. The next act of constitutional vandalism.”

He argues that “the American people must rise in defiance and disgust — not merely against Trump the politician, but against Trumpism itself — this diseased celebration of vulgarity, cruelty, ignorance, corruption and destruction. The answer to the arsonist can’t be passivity. The answer to the taker can’t be surrender. What’s required is moral clarity. Civic courage. Public outrage. Patriotic defiance.”

In the end, he suggests, “The White House matters because symbols matter. A nation without reverence for its civic inheritance is a nation already in decline.”

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